I subscribed to Lesley Riley’s 52 pick-up, which is a year of weekly creativity prompts to encourage more regular art and creativity. Feeling accountable to a supportive group of other people is helping me to form better habits.
And every day I succeed in spending time creating, I get a star!
In real life the stars look better than they do in the photo, which often happens with glitter and metallics. They’re foiled, a technique I’ve had a lot of fun with for years. You can get the foils and special glue from Jones Tones.
But, breaking news! and not good, although definitely a first world problem, Dharma Trading, the go-to source for all things fibre arty, posted that the foil is being discontinued and they (Dharma) are looking for a replacement. In the month since they posted, the more conventional colours have been snapped up but they still have purple, green and blue.
I fused the square fabric onto the Disco Dots to have a little more body to stand up to the writing and foiling and free motion quilted along the lines.
Idea Tree was made over a year ago, mainly to teach myself beading in order to complete Geode.
Just 7 by 10 inches, it’s small enough for the Alzheimer’s Quilt auction. So that’s where it’s gone, and is waiting to go into an auction! Please pop over to their website where you can look at a better photo, plus pix of all the other little quilts others have made.
Check out the current auction for a chance to get in on this great way to own a piece of original fibre art AND do something about the ever-increasing tragedy of Alzheimer’s.
The auction runs every month, so quilters, take a look and see if you have something small to send. If not, challenge yourself to make something!
And needless to say once Idea Tree is in the auction I’ll be posting again, in utterly shameless self promotion!
A dynamic member of the Quilt Guild, Susan Teece of Bent Pin Creations is spearheading a project to create a new Guild banner to reflect the varied techniques the members are exploring. She gave everyone who signed up a focus fabric to be used in a recognizable amount.
I volunteered to do the letter O, and here’s my block. The focus fabric is at the top.
A visit to Susan’s website shows her exciting use of holes. Because this block has to be pieced and sandwiched with batting and backing, it wasn’t feasible to make a hole all the way through, but those grommets gone wild I told you about here are brought to play their part. I had accepted the challenge before the Sewing Show and only thought of using a grommet when I actually set out to create the block, it wasn’t an aha moment while I was at the show.
For some reason I love holes, so at the Victoria Sewing Show I was delighted to find Luveta Nickels from Grommets Gone Wild, a range of coloured and metallic-look grommets that are easy to use and don’t need extra tools. Above is my first attempt, just on a piece of scrap fabric. These can be used for shower curtains, purses, art quilts, and embellishing clothing.
People often say they’re like a kid in a candy store at sewing shows. This time I felt more like a deer caught in the headlights ~ it’s hard to choose colours for notions, grommets, threads, beads, etc. without a specific project in mind or swatches. I chose blue and clear grommets but have been thinking ever since about the hot green, pink, and purple ones.
The second grommet has already gone into a mini art quilt block, to be revealed here soon!
Here in all its glory is what I consider my magnum opus, to date at least. Geode is approximately 54 inches in each direction and heavily embellished with beads, as seen here.
It’s on display at Satin Moon until Saturday.
I was inspired by this quote from Catherine Asaro’s book The Veiled Web, describing traditional Moroccan homes: “The houses were like geodes, those rocks that appeared featureless and unadorned on the outside but when opened revealed a sparkling beauty of crystals inside.”
As I worked on completing it, it dawned on me that this is very much a metaphor for how I prefer to live, which was why the original title of this blog was Chameleon’s Nest. I’m just not a person that wants to blurt it all out all over Facebook!
This piece is constructed of traditional strip piecing which has been slashed and reassembled. This was the first art quilt technique I learned in a workshop with John Willard in 1998. He doesn’t have much of a presence online, but this posting by the London Ontario Quilt Guild has lots of information about his work.
Quilted by Andrea Hamilton of Sydney, B.C. I can’t say enough nice things about Andrea because my quilting skill is not up to the level of my design, and she definitely made all the difference!
Strictly speaking I believe it’s a house quilt, although not the traditional house block obviously.
Last night my fibre arts group met and I took this to show everyone. This is a mola made following Cathy Miller’s method, with a little wrinkle I thought up myself that saves you from the torture of sewing the binding on. It also has the too-beautiful-to-cut fabric as the backing as well as forming the dragonfly image.
Some of the beads were made in Laine Canivet’s workshop, others were made earlier, and some were purchased. I learned that it’s best to use black beading thread when attaching embellishments to a black background!
We discussed how to continue our Round Robin/challenge into next year or perhaps start a new one. Since the weather has been snowy we were a smaller group than usual so no firm conclusions have been arrived at. We need to balance the group work with personal control over the pieces we are working on.
Does anyone have any thoughts on how to do this or ideas for creative challenges we could consider? It’s always interesting to share different concepts.