I subscribed to Lesley Riley’s 52 pick-up, which is a year of weekly creativity prompts to encourage more regular art and creativity. Feeling accountable to a supportive group of other people is helping me to form better habits.
And every day I succeed in spending time creating, I get a star!
In real life the stars look better than they do in the photo, which often happens with glitter and metallics. They’re foiled, a technique I’ve had a lot of fun with for years. You can get the foils and special glue from Jones Tones.
But, breaking news! and not good, although definitely a first world problem, Dharma Trading, the go-to source for all things fibre arty, posted that the foil is being discontinued and they (Dharma) are looking for a replacement. In the month since they posted, the more conventional colours have been snapped up but they still have purple, green and blue.
I fused the square fabric onto the Disco Dots to have a little more body to stand up to the writing and foiling and free motion quilted along the lines.
Our new home has a backyard, greatly appreciated after so long in apartmentland. The enthusiasm may wane when the grass starts to grow and needs to cut, we’ll see.
Only thing is, this is part of the deal …
AT LEAST it’s not facing the house, but it’s firmly settled in the ground and not for us to remove (rental). Young Sprout did NOT like seeing this from the house, let alone playing near it.
First attempt was to place a garbage bag over the top. That lasted a few days and then blew off into the bramble bushes. The middle of the bramble bushes.
This is somewhat of an improvement. From the house, seen in profile it rather looks as if it’s facing a firing squad, and apparently Young Sprout and Pirate Girl have used their rubber dart guns for target practice, although I’m positive they would not have ever seen a firing squad since they don’t watch a lot of movies.
I used some recycled Indonesian cotton that had been used as packing in an international move and is great for surface design, soy wax resist, etc.
It’s that exciting time of the year again!
For those who can’t go to Houston we have the Bloggers Fall Quilt Festival, and here is my entry to the art quilt category …
This piece evokes the Grand Canyon where you can gaze down at millions of years of rock layers carved by the Colorado River, then up at the big Western sky.
I made this in late spring using a variety of techniques, creating strata which I pieced like bargello for the rocks at the bottom, which I then ice-dyed (soaked the piece in soda ash solution, then placed it flat on a rack in a large pan, covered it with ice cubes and sprinkled various procion dye powders over the top).
I used a similar ice-dyeing technique for the sky at the top, making several attempts before I was satisfied.
The river is a synthetic fibre. I made several trial blocks to get the curving effect.
It’s 17 inches wide and 22 inches high, and was my entry into our Guild retreat’s challenge. Our theme was the Wild, Wild West and really nothing is wilder than the Grand Canyon.
First featured here
with process posts here, and here, here, and here
.. and now I’m off to check out everyone else’s entries! Yay!
P.S. For the first time, I’ve entered a second quilt in the festival, in Baby Quilts
Inspired by Rayna Gillman’s book Create your own free-form quilts: a stress-free journey to original design
What’s great about this book is that the author is into surface design as well as quilting and so has suggestions for the questions that plague me:
- What to do with the ugly commercial fabrics?
- What to do with the muddy/unfortunate/bizarre results of dyeing and surface design experiments?
- What to do with the amazing fabric that is just too lovely to cut? Sometimes this comes from a store and sometimes it’s the result of good things happening in the dye tub
Our guild is blessed with an extensive library and resource centre, where I found this book. After reading it several times I really REALLY wanted to experiment with the method, but given the other projects I have on the go, I had an argument with myself. I won and the left-brained disciplinarian lost (as usual).
This piece measures 10-1/2 by 26 inches and contains
- ugly commercial fabric (the brown and green print)
- less successful surface design (the navy horizontal strips)
- amazing pink and green deconstructed screen printing (in the vertical strips that are woven through from top to bottom, towards the middle)
- It’s good to just play from time to time without having a precise vision in mind
- Letting go of all the design rules about coordinating colours and how to choose fabrics can be a big challenge
- This method is very conducive to Working In A Series because there is just so much to explore. There will be more of these!
In honour of having taken the process pledge, here are some process pix:
This is the navy (see why it was a problem child?) with yellow print attached to two of the strips.
Here’s the strata that ended up being sliced between the horizontal areas. This shows much more clearly the beautiful pink and green deconstructed screen print. The pale green fan print is one I’ve used in many different pieces, although I’m not really a fan of 30’s reproductions, which is what this looks like. But I love being able to mix up such disparate fabrics as these, the green and black batik and the green and pink/purple/burgundy stripe at the top.
I was just browsing through old posts and realized that the photo of my Grand Canyon piece was all scrunched up so all my thoughts about the design process and which fabrics I liked best would have been completely meaningless to anyone reading. Talk about embarrassing!
That is now fixed, at least if preview changes is to be believed.
If the sky were deeper it might look more like the big skies of the southwestern desert.
Of course there is a maximum size of 24 inches for both height and width so adding sky (how much) means chopping down below by at least an equal amount.
Trying to make sure I`m happy with the end result, that it will seem to be in proportion and say what I want it to say.
This is just an audition. If I go this route I will be dyeing some yummy cotton-linen fabric from Satin Moon Quilted Garden which I used in the strata just above the black fabric with the dots. There`s still time to think about this, especially in light of the fact that I should build up my supplies of ice before doing any more dyeing.
(written May 14)
Just to reflect that just as you have to break eggs to make an omelette, in surface design sometimes gorgeous results have to be hidden forever. This is the back of the ice-dyed strata, about to disappear in the middle of a quilt sandwich …
Easier to bear because of the fabric I dyed in the same bath intended for the binding, which looks even better! And won’t be used for binding.