Jane Dunnewold is the creative force behind this first ever exploration of how quilters are using digitally printed fabrics from print on demand companies such as Spoonflower. Of course Spoonflower is the leading company in this groundbreaking field, and they are co-sponsoring the exhibition. It will premiere at the 2015 International Quilt Market and Festival in Houston this fall.
Details of size, etc. are all on the pdf. Worth calling out:
Quilts must be made from at least 50% digitally printed fabric. It is not a requirement that fabric be designed by the quiltmaker, but the designer must be credited.
The other pertinent rule is no online/social media sharing of work in progress until acceptance and rejection notices have been delivered.
Submissions open March 1 to April 5.
Spoonflower turns orders around fast so even if there’s nothing lurking in your stash of too beautiful to cut, you’ve got time to design and order your own fabric — trust me on this, it’s not hard — or just go shopping for other designers’ fabrics.
Since this is for a quilt show (as opposed to bed quilts) you don’t have to confine yourself to cotton. Spoonflower can print designs onto silk, jersey and now even Minky (think pushing the envelope with soft fuzzy baby blankets in non traditional colours and designs). Of course quilts have to be quilted and quilting on Minky might be a bit challenging, but interesting.
The other pen is a regular ballpoint I enjoy writing with because the ink is the same luscious turquoise as the pen barrel, and the same colour as the Frixion ink.
Marks on fabric or paper made by the Frixion can be erased with heat, either by pressing or using the eraser on the end of the pen (which apparently works because of the heat it generates when you rub it on paper).
As you can see, I was making binding and thought I was using the Frixion pen to draw the stitching lines.
Sewing the wrong side to the right side instead of right sides together
Not having locked my beloved turquoise ballpoint away before starting to sew
Oh well, at least it’s binding so I can make sure the ballpoint goes on the inside. I have pinned a scrap of bright fabric by the line so I can be certain of doing that.
By the way, although Frixion pens are handy things to have around, the lines can reappear if the fabric is exposed to freezing temperatures, although they fade once the fabric is at normal temperature.
Snarfie and Pie Thagoras have spent the previous 350 pages having various suspenseful gothic adventures largely stemming from their need to save their ancestral home from being redeveloped into a bingo hall.
Reluctantly they agree to sell the family portraits. With heavy hearts and grubby feelers they repair to the Long Gallery and begin boxing up portraits by Van Dyk, Reynolds, and Gainsborough, ready for the monsters from Christie’s to sell them at auction.
They work their way from Elizabethan times up to the early 20th century and lift down the portrait of their great-grandparents, painted by a friend of Picasso’s. Turning over the precious artefact, what do they find but the long lost legendary Ginormous Emerald either won by Sir Jonas Sock-Creature, the 18th-century buccaneer in a game of chess with an exotic oriental despot (the family story) or perhaps “liberated” when Sir Jonas helped himself to it while a guest of the Maharajah.
Sir Jonas Sock-Creature, illustrious 18th-century buccaneer.
The family fortunes are restored in the nick of time and the cousins celebrate by snarfing coconut cream pie in the Great Hall.
I found two welcome surprises when out walking yesterday:
The neighborhood sharing bin has ebbed and flowed with assorted items but has never contained many books. But things are changing! A good selection of literature, and non fiction. interestingly the mysteries I had left are gone after sitting there for a while. Definitely a step in the right direction and more genre fiction will be added as I read through my shelf.
Dollarama finally has sketchbooks in again. These were in stock in the summer and then when I went back for more they were out of stock. But right now there is a good supply in. When I can pay $3 for a sketchbook with 80 sheets of 60-pound paper in the preferred 9 by 12 size, I’m SOOOO there.
I figure this means I can spend more money on other supplies from specialty stores.
What’s YOUR take on this debate about shopping from local stores versus discount places? Are you firmly in one camp or the other, or like me split between the two? I’d love to hear!
Who hasn’t daydreamed about living in a stately home furnished with shabby-chic antiques and the bric a brac collected by their forebears, such as the eighth duke’s collection of golf clubs and the ball gown Lady Amanda wore when dancing with the Ruritanian Ambassador?
No such dwelling would be complete without the haunted Long Gallery with the portraits of long-gone ancestors, showing the family resemblance as to chin, nose — or antenna?
And this portrait of Snarfie and Pie Thagoras has its own secret treasure, to be revealed in the last chapter of the story, saving the family seat from being redeveloped as a bingo hall … stay tuned!
They are from Return of the Stupid Sock Creatures: Evolutions, Mutations and Other Creations, by John Murphy, published by Lark Crafts.
Young Sprout made most of the design decisions and did some of the cutting and ALL of the stuffing — to the point where I had to do reverse stuffing to sew these critters closed!
Like quilting every project is a learning experience. With Snarfie I learned ladder stitch. He is made from a pair of orange ankle socks, felt, a scrap from an old t-shirt, and a giant blingy bead.
With Pie Thagoras I learned that critters stuffed with rice are heavy and need stronger stitching — he already has an extra blue patch on his derriere covering over the spot where he was sewn closed. He’s made from a pair of crew socks plus a third blue sock for contrast.
YS has learned how to do the stuffing, that sewing takes longer than you think, and hopefully that persistence pays off to complete projects. He has also learned more understanding and respect for the importance of sewing equipment and supplies, which in this household can only be a Good Thing. Also that although the results may not look quite like the book it’s all good.
It’s amazing how these guys have taken on personalities. The book gives them all names and life stories, but ours have lives and minds of their own!
Michael James could be described as the first extreme quilter. This book, which was published in 1998, is in many quilters’ libraries.
It just so happened that when I bought it at a Guild retreat, I also bought a basket of goodies which I discovered included a magnifier. Anxious to see how well it worked I held it over the book cover (not something I would usually do) and was gobsmacked to see that Michael James did not use only solids in his work. In the older pieces especially there are some pretty tame calicoes that today would likely be relegated to baby quilts or quilt backs, as they’re just not that dynamic. For example follow the fourth orange stripe from the bottom left and see what it’s joined to when the colour change happens!
CHALLENGE – what do you think? Is it harder to use colours you don’t like or prints you don’t like?