Jane Dunnewold is the creative force behind this first ever exploration of how quilters are using digitally printed fabrics from print on demand companies such as Spoonflower. Of course Spoonflower is the leading company in this groundbreaking field, and they are co-sponsoring the exhibition. It will premiere at the 2015 International Quilt Market and Festival in Houston this fall.
Details of size, etc. are all on the pdf. Worth calling out:
Quilts must be made from at least 50% digitally printed fabric. It is not a requirement that fabric be designed by the quiltmaker, but the designer must be credited.
The other pertinent rule is no online/social media sharing of work in progress until acceptance and rejection notices have been delivered.
Submissions open March 1 to April 5.
Spoonflower turns orders around fast so even if there’s nothing lurking in your stash of too beautiful to cut, you’ve got time to design and order your own fabric — trust me on this, it’s not hard — or just go shopping for other designers’ fabrics.
Since this is for a quilt show (as opposed to bed quilts) you don’t have to confine yourself to cotton. Spoonflower can print designs onto silk, jersey and now even Minky (think pushing the envelope with soft fuzzy baby blankets in non traditional colours and designs). Of course quilts have to be quilted and quilting on Minky might be a bit challenging, but interesting.
Michael James could be described as the first extreme quilter. This book, which was published in 1998, is in many quilters’ libraries.
It just so happened that when I bought it at a Guild retreat, I also bought a basket of goodies which I discovered included a magnifier. Anxious to see how well it worked I held it over the book cover (not something I would usually do) and was gobsmacked to see that Michael James did not use only solids in his work. In the older pieces especially there are some pretty tame calicoes that today would likely be relegated to baby quilts or quilt backs, as they’re just not that dynamic. For example follow the fourth orange stripe from the bottom left and see what it’s joined to when the colour change happens!
CHALLENGE – what do you think? Is it harder to use colours you don’t like or prints you don’t like?
For the holiday meeting in December the Victoria Modern Quilt Guild had a mug rug swap.
This is the rug I received fro “Dragon Lady” Laura (it’s the subject of her art not a reference to personality!). Laura doesn’t blog but had enclosed a handwritten note which I thought I’d memorialize here, as a way of easing myself back into blogging without going crazy right off the bat.
Dear fellow Modern Quilt Guild Member
I’ve noticed that the blogs of modern quilters include information about fabric choice and construction considerations. So here goes (in my low tech way 🙂 )
Spool fabric was found on a field trip to the Sunshine Coast. I’m thinking this one was from Carola’s. Right away I knew I wanted to piece improvisationally and add some white to complement the mug. So that I did. Top is quilted with Wonderfil cotton Tutti TU 03, bottom is Aurifil 50 wt 3320.
Hope you enjoy the mug rug with its spools and the heart fabric showing quilting love.
Have an amazing, creative 2015.
Ironically it was Laura who saved my bacon as we were putting our efforts out, because I had completely missed the point that the mugs and rugs were supposed to be wrapped, and Laura came to my rescue with a spare plastic bag.
What was my mug rug like, you ask? Well, erm, I had the best of intentions of taking pix, but with one thing and the other that didn’t happen. However, I took two somewhat stripey fabrics and a triangle ruler which I’ve had for years but never actually used, and put together a hexagon. The mug I chose was white with a real knitted cable knit sweater to keep the contents warm for longer so hopefully the recipient enjoys it!
This was inspired by the colours here at Design Seeds. Today I used my box of 64 Crayola crayons although the only way I could approximate the dark blue brown colour was to mix brown and indigo.
I’ve been busy making half square triangles for the Victoria Modern Quilt Guild’s first charity project, for which about 1,000 hst’s are needed so have been thinking about different ways of putting them together.
there’s also a set of smaller ones in Michael Miller fabrics on the design wall that I’m playing around with. I thought Young Sprout and Pirate Girl might get into exploring design but for whatever reason that hasn’t happened quite yet. More of an indoor thing and they’re happier outside in summer.
Decided to go with the repeated diamond shapes in the background fabric.
What do you think?
Not wanting to use up all the Kona Cottons I went with the palette I’ve chosen for the next workshop I’m taking, which is Mile-a-Minute, coming up soon, as the supply list says it’s okay to bring orphan blocks. I’m curious to see how similar the method is to building slabs, which I’m still doing.
I subscribed to Lesley Riley’s 52 pick-up, which is a year of weekly creativity prompts to encourage more regular art and creativity. Feeling accountable to a supportive group of other people is helping me to form better habits.
And every day I succeed in spending time creating, I get a star!
In real life the stars look better than they do in the photo, which often happens with glitter and metallics. They’re foiled, a technique I’ve had a lot of fun with for years. You can get the foils and special glue from Jones Tones.
But, breaking news! and not good, although definitely a first world problem, Dharma Trading, the go-to source for all things fibre arty, posted that the foil is being discontinued and they (Dharma) are looking for a replacement. In the month since they posted, the more conventional colours have been snapped up but they still have purple, green and blue.
I fused the square fabric onto the Disco Dots to have a little more body to stand up to the writing and foiling and free motion quilted along the lines.