A wall hanging work in progress using fusible web (YAY for Steam-A-Seam 2!), assorted commercial fabrics, and Fabrico marker for the faces on the masks.
When in Thailand in Chiang Mai, I ventured out alone to the market area where the fabric shops are and that’s where I found the hibiscus print. The blue body is a lightning design — it works even better than I thought it would. The blue head is from a tiny scrap of commercial fabric. The rest of it doesn’t look like faces, just abstract marks, but every time I looked at the bit I used here, I could only see a face.
One figure is frozen, static, unchanging, the other is alive and amazing transformations are taking place within her. Yet both hold the same mask ready to use.
Force Field is my second contribution to the challenge. It’s fused applique, regular applique, and acrylic paint on fusible web.
The symbolism is an exploration in progress — EIP
Doesn’t that sound better than work in Progress!
The wedjet eye is a symbol that has been with me for years. Before we moved across the continent from central Canada to the SW US I had an image of a wedjet carved into a wooden picnic table that came to me while I was having acupuncture treatment.
The dots and bright colors remind me of Mexican folk art. I usually stay away from natural/neutral tones but this batik is so beautiful that I bought a pack of fat quarters last time I was at JoAnne’s.
Up to now I have not used human figures much in my art — I sense this may change. The force field around the main figure resembles a Picasso-style head in profile, this was unintended but I could see it even before I fused the paint onto the fabric.