I subscribed to Lesley Riley’s 52 pick-up, which is a year of weekly creativity prompts to encourage more regular art and creativity. Feeling accountable to a supportive group of other people is helping me to form better habits.
And every day I succeed in spending time creating, I get a star!
In real life the stars look better than they do in the photo, which often happens with glitter and metallics. They’re foiled, a technique I’ve had a lot of fun with for years. You can get the foils and special glue from Jones Tones.
But, breaking news! and not good, although definitely a first world problem, Dharma Trading, the go-to source for all things fibre arty, posted that the foil is being discontinued and they (Dharma) are looking for a replacement. In the month since they posted, the more conventional colours have been snapped up but they still have purple, green and blue.
I fused the square fabric onto the Disco Dots to have a little more body to stand up to the writing and foiling and free motion quilted along the lines.
Yes, it’s That Time Again!
How awesome that Amy puts in the effort to bring this to the blogging/quilting community twice every year!
Here is my entry to the Baby Quilt category, where I see many, many wonderful creations already. Although I have entered the festival before, this is my first time to have two entries. My other quilt is an art quilt and you can see it here.
Although I have made a couple of other baby slab quilts, this was my first attempt to go low volume and “air out” the block by alternating them with white on white blocks.
Slab blocks are such fun and a great way to use up scraps in a colour controlled way that results in a cohesive piece. I’ve posted numerous times about slab blocks and Cheryl Arkison’s work which was what got me started on this tack.
Comments are welcome and please visit the other sites that are participating in the various categories. You’ll be glad you did.
It’s that exciting time of the year again!
For those who can’t go to Houston we have the Bloggers Fall Quilt Festival, and here is my entry to the art quilt category …
This piece evokes the Grand Canyon where you can gaze down at millions of years of rock layers carved by the Colorado River, then up at the big Western sky.
I made this in late spring using a variety of techniques, creating strata which I pieced like bargello for the rocks at the bottom, which I then ice-dyed (soaked the piece in soda ash solution, then placed it flat on a rack in a large pan, covered it with ice cubes and sprinkled various procion dye powders over the top).
I used a similar ice-dyeing technique for the sky at the top, making several attempts before I was satisfied.
The river is a synthetic fibre. I made several trial blocks to get the curving effect.
It’s 17 inches wide and 22 inches high, and was my entry into our Guild retreat’s challenge. Our theme was the Wild, Wild West and really nothing is wilder than the Grand Canyon.
First featured here
with process posts here, and here, here, and here
.. and now I’m off to check out everyone else’s entries! Yay!
P.S. For the first time, I’ve entered a second quilt in the festival, in Baby Quilts
with batting, backing, free motion quilting, label (finally filled in at the baby’s house to be sure her name was correctly spelled)
- I like the airy lower volume look on this quilt and the diagonal lines created with the corners and how the slab blocks were turned to emphasize diagonals in the design. Can see pursuing this idea further.
- Glad I thought to bring a Pigma pen along so I could finish writing the label
- Because of the deadline of the baby party I got this finished quickly, the same as the green one I completed on Labour Day. Hopefully I can hold onto this energy and apply it to other projects, even though the next baby in our community is not due till December.
The perimeter measures 127 inches (36 by 27-1/2 inches)
Inspired by Rayna Gillman’s book Create your own free-form quilts: a stress-free journey to original design
What’s great about this book is that the author is into surface design as well as quilting and so has suggestions for the questions that plague me:
- What to do with the ugly commercial fabrics?
- What to do with the muddy/unfortunate/bizarre results of dyeing and surface design experiments?
- What to do with the amazing fabric that is just too lovely to cut? Sometimes this comes from a store and sometimes it’s the result of good things happening in the dye tub
Our guild is blessed with an extensive library and resource centre, where I found this book. After reading it several times I really REALLY wanted to experiment with the method, but given the other projects I have on the go, I had an argument with myself. I won and the left-brained disciplinarian lost (as usual).
This piece measures 10-1/2 by 26 inches and contains
- ugly commercial fabric (the brown and green print)
- less successful surface design (the navy horizontal strips)
- amazing pink and green deconstructed screen printing (in the vertical strips that are woven through from top to bottom, towards the middle)
- It’s good to just play from time to time without having a precise vision in mind
- Letting go of all the design rules about coordinating colours and how to choose fabrics can be a big challenge
- This method is very conducive to Working In A Series because there is just so much to explore. There will be more of these!
In honour of having taken the process pledge, here are some process pix:
This is the navy (see why it was a problem child?) with yellow print attached to two of the strips.
Here’s the strata that ended up being sliced between the horizontal areas. This shows much more clearly the beautiful pink and green deconstructed screen print. The pale green fan print is one I’ve used in many different pieces, although I’m not really a fan of 30’s reproductions, which is what this looks like. But I love being able to mix up such disparate fabrics as these, the green and black batik and the green and pink/purple/burgundy stripe at the top.
Here is the top of the table topper for Young Sprout and Sproutette. I showed the back in all its “glory” here.
I can’t remember where the coffee and teapot print came from but this was all I had of it. Hopefully this will grace many tea parties for their stuffies and dolls!
- I feel like the blue-gray shades in the centre fabric are fighting with the warm cream calico prairie point fabric. Perhaps light green or blue points would have been better.